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Yirmi İkinci Söz/en: Revizyonlar arasındaki fark

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13.00, 7 Ağustos 2024 tarihindeki hâli

62 bayt eklendi ,  7 Ağustos
"Yes, the beautiful creatures and fine beings which are renewed and restored within the decline and disappearance that occur through the alternation of night and day, winter and summer, and the centuries and ages, surely point to the existence, continuance, and unity of an elevated, eternal possessor of continually manifested beauty. While the deaths and disappearance of those beings together with their apparent and lowly causes demonstrate tha..." içeriğiyle yeni sayfa oluşturdu
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("In exactly the same way, through their existence and lives these flowing beings testify to the necessary existence and oneness of the Necessarily Existent One, and with their deaths and disappearance, they testify to the His pre-eternity, everlastingness, and unity." içeriğiyle yeni sayfa oluşturdu)
Etiketler: Mobil değişiklik Mobil ağ değişikliği
("Yes, the beautiful creatures and fine beings which are renewed and restored within the decline and disappearance that occur through the alternation of night and day, winter and summer, and the centuries and ages, surely point to the existence, continuance, and unity of an elevated, eternal possessor of continually manifested beauty. While the deaths and disappearance of those beings together with their apparent and lowly causes demonstrate tha..." içeriğiyle yeni sayfa oluşturdu)
391. satır: 391. satır:
In exactly the same way, through their existence and lives these flowing beings testify to the necessary existence and oneness of the Necessarily Existent One, and with their deaths and disappearance, they testify to the His pre-eternity, everlastingness, and unity.
In exactly the same way, through their existence and lives these flowing beings testify to the necessary existence and oneness of the Necessarily Existent One, and with their deaths and disappearance, they testify to the His pre-eternity, everlastingness, and unity.


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Yes, the beautiful creatures and fine beings which are renewed and restored within the decline and disappearance that occur through the alternation of night and day, winter and summer, and the centuries and ages, surely point to the existence, continuance, and unity of an elevated, eternal possessor of continually manifested beauty. While the deaths and  disappearance  of  those  beings  together  with  their  apparent  and  lowly  causes demonstrate that the causes are nothing but a mere veil. This situation proves decisively that these arts, these inscriptions, these manifestations, are the constantly renewed arts, the changing inscriptions, the  moving mirrors of an All-Beauteous One of Glory, all of Whose Names are sacred and beautiful; that they are His seals which follow on one after the other, and His stamps that are changed with wisdom.
Evet gece gündüz, kış ve yaz, asırlar ve devirlerin değişmesiyle gurûb ve ufûl içinde teceddüd eden ve tazelenen masnuat-ı cemile, mevcudat-ı latîfe, elbette bir âlî ve sermedî ve daimü’t-tecelli bir cemal sahibinin vücud ve beka ve vahdetini gösterdikleri gibi; o masnuat, esbab-ı zâhiriye-i süfliyeleriyle beraber zeval bulup ölmeleri, o esbabın hiçliğini ve bir perde olduğunu gösteriyorlar. Şu hal kat’iyen ispat eder ki şu sanatlar, şu nakışlar, şu cilveler; bütün esması kudsiye ve cemile olan bir Zat-ı Cemil-i Zülcelal’in tazelenen sanatlarıdır, tahavvül eden nakışlarıdır, taharrük eden âyineleridir, birbiri arkasından gelen sikkeleridir, hikmetle değişen hâtemleridir.
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