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("'''“In Short:'''As is stated in the Eighteenth Sign of the Nineteenth Letter, the common people, who gain an understanding of the Qur’an’s miraculous nature by listening to it, say: ‘If I were to compare the Qur’an with all the other books I have listened to, or with all the other books in the world, it would resemble none of them; it is not the same as them in either kind or degree.’ The Qur’an, then, is either superior to all of..." içeriğiyle yeni sayfa oluşturdu) |
("One time while reading these verses from Sura Qaf, the Devil said to me: “You consider the principal aspects of the Qur’an’s eloquence to lie in its clarity and fluency of style, but in these verses it jumps from one subject to another. It jumps from death agonies to the resurrection of the dead, from the blowing of the trumpet to the Last Judgement, and from that to the entry into Hell of the unbelievers. What fluency of style can there..." içeriğiyle yeni sayfa oluşturdu) Etiketler: Mobil değişiklik Mobil ağ değişikliği |
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128. satır: | 128. satır: | ||
===A Second, Small Objection of Satan=== | ===A Second, Small Objection of Satan=== | ||
Not a word does he utter but there is a sentinel by him, ready [to note it]. * And the stupor of death will bring the truth [before his eyes]: “This was the thing you were trying to escape!” * And the trumpet shall be blown: that will be the Day whereof warning [had been given]. * And there will come forth every soul: with each will be [an angel] to drive, and [an angel] to bear witness. * “You were heedless of this; now have We removed your veil. And sharp is your sight this Day!” * And his companion will say: “Here is [his record] ready with me!” * “Throw, throw into Hell every contumacious rejecter!”(50:18-24) | |||
One time while reading these verses from Sura Qaf, the Devil said to me: “You consider the principal aspects of the Qur’an’s eloquence to lie in its clarity and fluency of style, but in these verses it jumps from one subject to another. It jumps from death agonies to the resurrection of the dead, from the blowing of the trumpet to the Last Judgement, and from that to the entry into Hell of the unbelievers. What fluency of style can there be with this extraordinary switching about? In most places in the Qur’an, it brings together subjects like this that bear little relation to each other. Where is its eloquence and smoothness with such discontinuity?” | |||
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