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("The Twenty-Fifth Word has proved that a true translation of the All-Wise Qur’an is not possible. Also, the elevated style of its miraculousness cannot be translated. It would be extremely difficult to express and make understood the pleasure and reality arising from the elevated style in the miraculousness of its meanings (mânevî i’caz). However, we shall allude to one or two aspects of it in order to show the way, as follows:" içeriğiyle yeni sayfa oluşturdu) Etiketler: Mobil değişiklik Mobil ağ değişikliği |
("By swearing by the fig and the olive, Almighty God calls to mind the immensit y of His power and the perfection of His mercy and His extensive bounties, in order to redirect those people who are heading for the lowest of the low, showing that they may progress spiritually, through thanks, reflection, belief, and good works as far as the highest of the high." içeriğiyle yeni sayfa oluşturdu) Etiketler: Mobil değişiklik Mobil ağ değişikliği |
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66. satır: | 66. satır: | ||
“With whichever hammer the universe’s builder, who is the Maker of the world, fastened the sun and moon in their places, with the same hammer and at the same instant He fixes atoms in their places, for example in the pupils of living creatures’ eyes. And with whichever measure, whichever immaterial instrument, He arranged the heavens and unfolded them, at the same instant and with the same arrangement, He opens up the eye removing its veils; He makes it, orders it, and situates it. And with whichever immaterial hammer of His power, the All-Glorious Maker fastens the stars to the skies, with that same hammer He fastens man’s innumerable distinguishing marks on his countenance and his external and inner senses in their places.” | “With whichever hammer the universe’s builder, who is the Maker of the world, fastened the sun and moon in their places, with the same hammer and at the same instant He fixes atoms in their places, for example in the pupils of living creatures’ eyes. And with whichever measure, whichever immaterial instrument, He arranged the heavens and unfolded them, at the same instant and with the same arrangement, He opens up the eye removing its veils; He makes it, orders it, and situates it. And with whichever immaterial hammer of His power, the All-Glorious Maker fastens the stars to the skies, with that same hammer He fastens man’s innumerable distinguishing marks on his countenance and his external and inner senses in their places.” | ||
That is to say, in order to show His works to both the eye and the ear while He is at work, the All-Glorious Maker strikes a hammer on an atom with the verses of the Qur’an, and with another word of the same verse strikes the hammer on the sun; with an elevated style as though striking it right in the centre, He demonstrates His unity within His oneness, and His infinite glory within His infinite beauty, and His infinite tremendousness within His infinite concealedness, and His infinite breadth within His infinite precision, and His infinite majesty within His infinite mercy, and His infinite distance within His infinite proximity. The Qur’an expresses the ultimate degree of the combining of opposites, which is considered to be impossible, in a way that is necessary; it proves this and demonstrates it. | |||
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